Slate formations near the Centre for Alternative Technology (CAT), Machynlleth, Wales, source material for drawing
 Pattern for Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, 9x 12”.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs partially inserted in slots.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs inserted in slots and ready for listening.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown in listening position. The trumpet must be carefully aimed at sound source to function at maximum potential.
 Footwork group leaving CAT to walk with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
 Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film. L to R, Micha Meyers, Moira Williams, Mark Hunter and Clare Qualman
 Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
 The goal of the 20 mile hike, the wind turbine that was the subject of Jess Owens’ film.
 Slate formations near the Centre for Alternative Technology (CAT), Machynlleth, Wales, source material for drawing
Slate formations near the Centre for Alternative Technology (CAT), Machynlleth, Wales, source material for drawing
 Pattern for Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, 9x 12”.
Pattern for Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, 9x 12”.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs partially inserted in slots.
Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs partially inserted in slots.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs inserted in slots and ready for listening.
Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown rolled with tabs inserted in slots and ready for listening.
 Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown in listening position. The trumpet must be carefully aimed at sound source to function at maximum potential.
Print, Cut and Fold open source paper listening trumpet, 2014, original drawing with pigments found in Wales on black Stonehenge paper, shown in listening position. The trumpet must be carefully aimed at sound source to function at maximum potential.
 Footwork group leaving CAT to walk with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
Footwork group leaving CAT to walk with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
 Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film. L to R, Micha Meyers, Moira Williams, Mark Hunter and Clare Qualman
Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film. L to R, Micha Meyers, Moira Williams, Mark Hunter and Clare Qualman
 Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
Footwork members walking with Jess Owens to the wind turbine array in the Welsh countryside that was the subject of her film.
 The goal of the 20 mile hike, the wind turbine that was the subject of Jess Owens’ film.
The goal of the 20 mile hike, the wind turbine that was the subject of Jess Owens’ film.
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